From Creative Cow-

The big stories in part 2: ProRes for HDV, with a splash of Color. We’ve also got the latest tech notes from Apple, documentation you might have missed, and updates on the latest supported mice.

Read the tutorial/article here.

A very in-depth review, from Creative Cow-

Apple’s ProRes 422 is the most talked-about feature in any application for quite some time. As users finally start getting their hands on Apple Final Cut Studio 2 and working with ProRes, a number of questions have popped up. Part 1 of this article compiles some of the answers to questions including capture, performance, resolution and workflow basics from across The COW.

Read the tutorial here.

If you’ve ever gotten halfway through a project, only to realize that you set up the project completely wrong, you know the importance of making sure things are right before you start. If that hasn’t happened to you yet, my hat goes off to you. Andrew Balis has an article over at KenStone.net that takes you through all the details of setting up your project- from capturing to frame rates.

Read the tutorial here.

There are tons of codecs out there, and it can be really confusing to know how to use each. Some are stronger for editing, some are stronger for shooting, some are stronger for delivery. How can you keep them all straight? Philip Hodgets has a great overview of the options on KenStone.net, and gives some good tips on workflow.

Read the tutorial here.